Master of the Field

Last month, I had a call with my creativity coach Sara
The email sent before our call was: Marble Track of Love
This new series “The Day After” is written in its aftermath.

 

Master of The Field

The biggest takeaway from our call was more finetuning around why my friendships with women have been so prone to difficulty, compared to my male friends with whom friendships are fairly uncomplicated.
Huge disclaimer!
This is taking into account 2000 years of male privilege to the best of my ability.
Which by definition, will never be enough.

You cannot expect the gender that did not even have voting rights until the 20th century, and their father or husband having to sign for their creditcard just a few decades ago, to be at the same level of Let’s Lay Back And Have An Existential Discussion About The Nature Of The Universe.
That’s privilege.
That’s not having to constantly be on the lookout for predators.
That’s not having your body policed, nor your morals scrutinized. That’s you just letting it hang and having another beer because you have been safe your whole life, because patriarchy has been doing the heavy lifting for you.

I try to take that into account when writing this, and at the same time I know it will never be enough. There is a privilege and a safety gap between my female friends and my male friends, that cannot be overstated.

So there’s all that, and at the same time I’m still not skilled at adjusting my expectations to this. I’m pretty far with raising the bar for potential lovers, meaning that just being a man or even a man I’m in love with, will never be enough for a relationship – real effort needs to be made – but I’m not being supportive towards my female friends, to the level that I would want.
I feel we’re still mostly on our own, battling the consequence of being a woman.

Over the last few years, I’ve said goodbye to all who I could not be a friends with. So the ones who are still my friend, have really come forth and I to them.
For lack of a less dramatic way to put it, we chose each other.
I don’t want to f* it up.
And yet, I find myself still being frustrated that it’s not going as smoothly as with men. 

So that was the first takeaway, that my friendships with women will always stay a work-in-progress. From my side and theirs. And that cognitively understanding where the difference between men and women stems from, has done too little in dealing with my expectations.
I really want to be a better friend to them.

But the second takeaway came from dissecting these so-very-hailed relationships with men. Because initially I thought, and I feel almost silly and definitely self-centered thinking this, I thought they all protected me like knights in shining armor, right.
That because of our difference in gender, they shielded me from harm. And I felt that. And it was a safety no female friend has ever given me.
But I was wrong;
They are not shielding me,  that’s not what they’re doing. Occasionally they might, for sure, but that’s not the foundational safety I feel.
What makes me feel safe, is that they’re shielding, protecting, and walling off, themselves.

It are their own impeccable boundaries, that make me feel safe. 
The exact same boundaries we only accept from men, although fortunately more and more women do adopt them.

An example sprung to mind about a business women I overheard having a conversation on the train. It was a call to the company where she worked, and it was about a visit to a client.
She was discreet and disclosed no information, but it was clear she wanted to report and go home, so she didn’t have to remember anything and could start fresh tomorrow.

The conversation was about projects that cost tens of millions of euros, and which option the client had chosen.

The person on the other end received the information and their way of rounding off the conversation must have suggested that they would pick up the topic tomorrow, at which the business women intervened.
“I just told you,” she said. Repeating the option the client had chosen, identified by the number of millions the deal would be.
She did not hang up the phone until the person on the other end understood  perfectly well that this 5 minute phone call from the train was all she was going to spend discussing a deal of millions of euros.
Impeccable boundaries.

In the call with Sara, this example came up and I started realizing that what makes me feel safe but also (strangely) seen, is when they create that safety for themselves. And they see themselves. I feel taken seriously, when they take themselves seriously. It’s a strange and in a way pretty f*-ed up projection (because on territory that is clearly none of my business), but that’s how it works.

The basics of my flawless friendships was not in them treating me right;
It was in them treating themselves right.

After this I chose to zoom in even further, to the men who had been my lovers, and this new era of my life, where I know I will never get the affairs or flings or relationships I once had. My boundaries are now up to the level of spending 5 minutes on 8 figure deals, if there would be an equivalent for that in love.
Nothing that happened in my love life, ever, would have happened under my New Law. Yet my history provides interesting examples of feeling completely safe and taken care of, under circumstances/ with men that provided no acknowledgement and boundaries in the traditional sense.
My most exquisite sexual experiences, were under conditions any woman looking for red flags would have dismissed.

“I really wonder how that worked,” I said to Sara.

The question was answered within the call, but it wasn’t until later that I was able to come up with the right analogy to illustrate it.
This is an analogy of a gym class, also called physical exercise class (PE class).
It answers the question why men who offered none of the traditional signs of commitment, had made me feel safe enough to have sex.

The gym class analogy goes as follows;
Regardless of the type of sports we’d do that class, our field or exercise terrain would always be marked by a set of bright orange pawns.
Very often the teacher would not carry any specific equipment, just the pawns. Sometimes there would already be other materials on the field, such as balls or bats or gloves, but other times it was just the pawns.
Which was not a good sign because then we’d have to do a lot of running and moving around. The more official the game of sports we’d be doing, the less moving around would be required.

But what I’ve realized these lovers did, in situations that would look unsafe or casual on paper, is that they behaved exactly like the PE teacher, with regard to three things.

First, they were confident and in control.
It was clear that they were in charge, first and foremost of themselves.
They had a firm stance, did not fiddle their hands, and showed no signs of insecurity. They made no sudden movements nor were they overly familiar, or talkative. They just held their ground, and let you go through your emotions without much interference.

Second, they were clear about what we were there to do. What the trajectory was, so to speak. They were, again, unmoved by whether you were going to finish or to what base you were gonna go today.
Their job was simply to offer the game, and to make sure everybody played by the rules.

And third, they marked the field. They decided on the boundaries of our playing field, physically, but also time-wise. And if there was more than one game, they were the ones switching it up.
This could be because of several reasons, but it was always their call.

When students withdrew, they would vary how they responded, depending on the student. But they knew exactly what was going on, nothing went unnoticed under their watchful eye.

In the same way, my best lovers placed their pawns at exactly the right spots. They carved with surgical precision, the lines we would never cross.
They told me the rules, but more than that, they embodied them.

It was an invitation to play, a game where no one could really win.
But more importantly;
No one would ever lose.

.
~Lauren
An unexamined life is not worth living

Subscribe to this blog for these The Day After posts, my letters to Sara, the series Harteveld 2026* and the Behind the Scenes of my year 1991 diary.
The subscription button is on this page, most likely on the top right.

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

Nederlands blog:
https://zegmaarlauren.com/

Divine love, but on earth | Harteveld 2026*

Initially, I thought it was just me having higher standards now.
And they were installed intentionally, so I thought this was a New Me or something.

Until I realized this is who I have been all along.

The discovery started when I tried to specify (don’t freak out!) where I want to reincarnate or dwell;
A place (a realm, most likely) where I only love.
I don’t want to do anything else.

Only to conclude that, of course, this meant my first job was to create a life of love here on earth, as an experiment but also because I suspect they don’t hand out passes to The Realms of Infinite Love like peanuts.
I will have to build a case for myself, to prove I am ready.
A case built on what I did with my current life.

I will live a life of love, now.

And in my case I know for a fact this is unconditional, divine, romantic love.
This is a proven spiritual path, I didn’t make it up. Just that it’s not really practiced in the west, although Christianity also has elements of it.

Romantic divine love itself, is the complete path. It is not a first act in something that should lead to sex or a relationship, although both could happen.
It’s about the devotion itself.
And that is what I have always wanted, ever since my first idol when I was 12.

If they don’t have realms with unconditional divine romantic love in the afterlife, then I’m willing to go general. But here on earth I know that romance is the strongest spiritual lead.
This devotion has been there my whole life just that I forgot about it. Or chose to ignore it when it proved to be incredibly impractical.
Creating intense drama, because I also wanted other things from them.

I decided to get practical, starting with no longer having my heart broken.
Romantic divine love had to go.
This new phase in my life required strategy. Which in turn, and after many years, I was able to turn into standards.
I’ll keep an eye on them, if they let the right man/men through effortlessly.
But their protective function has already proven to be reliable.

This means I can safely return to romantic love as it once came natural to me.
As devotion.
.
.~Lauren
An unexamined life is not worth living

Harteveld 2026*
Are 2200 characters, or less.
The series started in 2025, inspired by the book Fretz 2025 by Johan Fretz and asterisk from the movie Thunderbolts*

Subscribe to this blog for my letters to Sara, the series Harteveld 2026* and the Behind the Scenes of my year 1991 project.
The subscription button is on this page, most likely on the top right.

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

This time really, really | year 1991 behind the scenes

When I say “This time really, really”, what I mean is;
I am going to live in 1991, as I intended to all along!
Because, well firstly because I said I would, of course.

There’s no point in deciding your new project, and basically future as an artist, is that you will live on different timelines, only to then not execute.
So that’s the biggest reason to get with the program and to “Let’s fucking go”, to use what was probably the catch phrase of 2025. (and not very 1990 or 1991)

But the other reason I want to get serious with this, is because I know very well how to do it. Had I chosen “Learn to paint like Renoir” as my artistic goal, I would have had all sorts of reasons to be disheartened.
But I didn’t.
Instead, I chose: “I am going to live as if it is 35 years ago.”
Creating, or recreating, my own history. I’m overwriting it.

I’m also overwriting my current 2026 timeline as well, which is equally interesting.
What happens, if you don’t commit to the timeline everybody around you is on? 

I’m not a purist, most of my diaries are still dated 2026, and I also use modern media, like Google maps on my phone, and this blog.

And yet, I have a good idea on how to still create this new timeline.
I really want to do it despite me having been super flakey with it in the past.
I know how it’s done, the principles are clear.

They have just been really hard to execute because I’m used to using social media when I am on my computer, and to using YouTube like a permanent drip, when I do anything else.
It’s always playing in the background.

All moments which would have been silent, in 1991.
Maybe just a radio playing.

Therefor the 1991 rules will be:
Keeping my phone off, until I’m behind my desk.
News & Social media once a day.
YouTube only on traditional tv moments.

Really.


~Lauren
An unexamined life is not worth living

The story behind this time travel project has been added below, and adjusted to the format it will have in 2026..

Subscribe to this blog for my letters to Sara;
The series Harteveld 2026*
And these Behind the Scenes of my 1991 timeline.
The subscription button is on this page, most likely on the top right.

About: the 1991 project

For an indefinite time, I will be moving to the, I assume fictional, timeline of (re-)living 35 years ago.
Making the current year 1991, and I’m switching to a new shorter format:
The number of characters will be my fictional age on this timeline x 100.
This means until summer 1991 (2026), they will be 1800 characters, representing 18 years old.
And after that 1900 characters.

This project has a predecessor, where I wrote as if I was in 1994 – 2000;
But this was mostly a literary (diary) undertaking.
I’m cutting back deeper into time, and do not intend to keep a diary. It is the living in the past itself, that is the art.

In September 2025 I came up with these goals, covering the first 8 years.

My 8 year goals are:
📵 to live a 20th Century life
🎸 to be a 20th century-inspired Rock journalist.
But on the current timeline.
So this means I make money creating content and speaking about rock music and 20th century things 

📚 publish Lauren Harteveld work 2010-2025
📢 to make the Lauren Harteveld legacy visible

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

Categories BTS

Marble Track of Love

This is a letter to my creativity coach Sara
Before our call I always give her a headsup.
.
Dear Sara,
.

I remember marble tracks as being  a simple wooden toy, where you drop the marble on the top track, and watch it rolling down over de diagonal slide to the right, drop to the next tier, and so on.
Until it comes out at the bottom , over a melodious staircase that makes music from the marble running over it.

But I just Googled these marble tracks, and they have gone totally next level!

No longer a uniform toy, the tracks are now built similarly to Lego. And there are boxes with sets for tracks ranging from globe-like spheres to colorful tracks connecting multiple tower constructions.

So my vision of a marble track symbolizing my love life, but one with gates that lock or open between different layers, is actually less fictional now than it was based on the toy from my youth.
That’s what I’ve been up to!
I have translated
lessons from my love life, into a system. And it is giving me wings in every other area as well. Because you could build a track for each and everyone of them.

The idea is that the tracks, not you, select potential suitors.
And to not get emotionally invested until a marble falls through, into your bed in this case.

In a way, I’ve always had a marble track in place, but it was broader than what I’m aiming for now.
But it did work.
For instance, I have never encountered bad lovers, EVER. Our arrangements have been flawed in more ways than I can count, and I have worked around tough character traits  (both theirs and mine!!) at a level I would never have managed if sex had not been the reward.
But I never had someone in my bed who was not a wonderful lover.

As sort of a mid-text PS: I do want to add that I need to be madly in love with a man, right? I mean, you could argue that the track is nothing more than me learning not to engage with people I am not madly in love with.
That I take myself through that track time and time again, knocking into gates that stay closed because I know damn well I m not in love.

But for this blogpost, I’m going to leave that part out, because it’s just not very interesting. And frankly, it’s also not what has given me this feeling of “Cool I hacked this!”
You don’t think “Cool! I hacked this!” when you decide not to engage unless deeply in love. That is not actionable enough.

But back to this marble track, which has always been there.
But now, in the 2.0 2.6 version, I no longer feel responsible for who wants to go into the maze, nor for what they encounter there.
In particular not what they encounter inside themselves. I no longer perform emotional labor and consider it part of a broader feminist package against patriarchy.

And next to me not smoothing out any hurdles, the tracks are also about things I need to have an amazing experience.
Things
like: Effort, initiative, holding space for me, attunement, and focus. It is tempting to add “clear communication”, but I really should not because I like the mystery of things being done without words.

The marble track should run in a way that it blocks anyone who will not be able to meet my new standards. 
For both our safety, really. But mostly, for my mental peace and quiet. 

The marble track has been working like a charm. And yes, it is keeping everyone out, which does not sound like much of a result.
But it is preventing me from performing emotional labor. Something I admit still having been caught up in, as recently as last year.

Meanwhile, I’ve made several attempts estimating which men from my past would have been in my life, if my boundaries had always been this strong, my standards this high.
I’ve identified four!

Two lovers would have been in my life, in much the same way as they have been. One from when I was very young, and my last lover as well. So the first and the last, really. Unchanged. If I had to psychologize it I would say those connections were so destined, they would not have been changed by any circumstance. Much less by me applying the principles of a kid’s toy.

With the majority of the men who have been in my life, there is of course really no telling if we would have done better, if I had had better standards. For many men it would have offered a challenge they’d have loved to live up to.
I can look back and think they would not have passed, but the truth is I have no idea how they would have responded. Many of them may have upped their game and could still have been in my life. And bed.

But the most interesting reflections were the ones immediately offering an entirely different picture!
A better one.
And although I said I would leave that aspect out – Yes, these were in fact men I was deeply in love with.

One was someone who broke up with me, in an incredibly messy and fucked up way. And yet I can now see that if he had had to work for my attention, he would have fought for me like a lion.
In hindsight I think he was someone who operated on the IKEA principle: The more effort he would have to put in to get it all up and running, the more attached he would be.
Had I not been the one working my ass off, he would have, and our relationship would have been entirely different.

And the final man with whom I know things would have been so much better, was someone with whom I was very much in love, but I rejected him because I was already involved. And also because my feelings for him scared me. He did not offer any stability or safety for me to hold on to.
And yet?
His energy was so clear, the connection so real;
He offered me the purest relationship gold but from a planet I had never been to. I did not recognize it.

Maybe me being so enthusiastic about the marble track never had anything to do with keeping the men out that were not putting in the work.

Maybe the reason I am so incredibly happy with this find is that I know the track will let the right one through.
Immediately.

.
~Lauren
An unexamined life is not worth living

Subscribe to this blog for these letters to Sara, the series Harteveld 2026* and the Behind the Scenes of my year 1991 diary.
The subscription button is on this page, most likely on the top right.

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

Nederlands blog:
https://zegmaarlauren.com/

Tarot Thread | Harteveld 2026*

“What message for my readers?”

The past few weeks I have integrated receiving messages through reading Tarot cards.
It brings me into the present moment, it grounds me (threads me) into reality. 

My readings are private – and my interpretations deeply personal – but I do have one deck which came to me in an unexpected way. Having been used by someone else.
I call it The Tarot Of The World, and consult it to tell me what I should know about what is coming.

Today, I consulted this deck for the first time, to do a reading for someone else:
You.

After selecting I turned the three cards, and what immediately stood out was the middle one: The Tower.
Considered the worst card in Tarot, and this is precisely the reason I don’t do readings last thing before bed!
This Tower is the apocalyptic center of our reading.

However, it is flanked by two cards of serenity and peace:
The Ace of Pentacles, depicting a large spirit hand holding a big golden coin;
And the Two of Cups, with two young people, both wearing a garland crown on their head, facing each other and respectfully raising their glass.

The numbers represented on the cards are:
1 – 16 – 2
16 is the number on The Tower, so this could indicate something happening on either the 16th of February or January.
I am doing this reading on the 14th of January, like I always do days prior to posting!
Only to realize now that, of course, this reading needs to go out today.

Messages for other people are not meant to be contained in my WordPress for 4 days.

I think the 16 goes with February (the “2” on the third card) and not with “1” (the Ace of the first card) but I can’t be sure.

So the way I read it is in chronological form:
We are currently in the Ace of Pentacles phase. Our work here is to stay “in spirit”, to keep a clear head, and to take care of our earthly possessions.

Then a clash or chaos of some sort will happen. Whether collectively or individually.

And afterwards we will find ourselves cherishing a renewed connection, in particular with a partner or new person in our lives.

The winged lion’s head and Aesculapius’ staff above the couple, indicating health, protection;
And divine covenant.

.
.~Lauren
An unexamined life is not worth living

Harteveld 2026*
Are 2200 characters, or less.
The series started in 2025, inspired by the book Fretz 2025 by Johan Fretz and asterisk from the movie Thunderbolts*

Subscribe to this blog for my letters to Sara, the series Harteveld 2026* and the Behind the Scenes of my year 1991 project.
The subscription button is on this page, most likely on the top right.

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

The Year MCMXCI a.D. | year 1991 behind the scenes

It was the year we remembered having been taught Roman numbers, but not recalling enough to decipher Enigma’s album called “MCMXC”, which simply means 1990, the year of its release, and the year when I started this fictional timeline last year.

This is the breakdown of those numbers:
M 1000
CM 900 (1000 minus one tenth)
CX 90 (100 minus one tenth)

Because I’m now in 1991, instead of 1990, I added a Roman “I”, meaning 1.

So welcome to this new year 1991 Anno Domini, Latin for “in the year of the Lord”.

Where an 18 year old Lauren lives her new virgin timeline, breaking with a previous iteration of this project where she had an affair with Bear.

In this new timeline, Lauren has chosen to remain a virgin instead.
She did meet up with Bear 13 months ago in December 1989.
And as far as casual lovers would go, he would have been a great one for her first time sex, but she changed her mind.
And she declined the offer she had largely invented herself.

She simply changed her mind.
Just a good first time sex was no longer going to cut it.
She wanted more.

And now, January 1991, she still stands by that decision, even though it has not been an easy year for her. It’s fair to say not a day has gone by without her reviewing her decision and wondering if it had been worth it.
And if there is a deadline when she will lower her standards.

The answers however, are always the same.

Yes, it was worth it.
No, there is no deadline on which she will lower her standards.

But she has a copy of the 1990 Enigma cd and has realized this is what came instead:
A lover in the form of an all-male Gregorian choir.

She can even hear the electric guitar, because at heart she is still a hard rock fan.

“The principles of lust
Are burned in your mind
Do what you want
Do it until you find
Love.”

 ~Lauren
An unexamined life is not worth living

The story behind this time travel project has been added below, and adjusted to the format it will have in 2026..

Subscribe to this blog for my letters to Sara;
The series Harteveld 2026*
And these Behind the Scenes of my 1990 timeline.
The subscription button is on this page, most likely on the top right.

About: the 1991 project

For an indefinite time, I will be moving to the, I assume fictional, timeline of (re-)living 35 years ago.
Making the current year 1991, and I’m switching to a new shorter format:
The number of characters will be my fictional age on this timeline x 100.
This means until summer 1991 (2026), they will be 1800 characters, representing 18 years old.
And after that 1900 characters.

This project has a predecessor, where I wrote as if I was in 1994 – 2000;
But this was mostly a literary (diary) undertaking.
I’m cutting back deeper into time, and do not intend to keep a diary. It is the living in the past itself, that is the art.

In September 2025 I came up with these goals, covering the first 8 years.

My 8 year goals are:
📵 to live a 20th Century life
🎸 to be a 20th century-inspired Rock journalist.
But on the current timeline.
So this means I make money creating content and speaking about rock music and 20th century things 

📚 publish Lauren Harteveld work 2010-2025
📢 to make the Lauren Harteveld legacy visible

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

Categories BTS

Dark Queen | Harteveld 2026*

“It’s only getting worse.”
This could have been my conclusion, but I’m choosing for:
“Why does this still surprise me?”
Over the past few years all earthly problems of health and career have been solved in satisfactory ways, meaning it is clear why the old situation was a problem, what the cause was, what the solution.
And yet on a deeper level, nothing changed.

Now that all outer circumstances are solved, and the inner does not respond, it is like the purity of winter, the silence of a snow covered night.
There is no one here.

In the morning the wheels of the world will start moving, there will be interactions, relationships, a full calendar, and sooner rather than later, I will retreat and seal the gate.
Happy, public duties have ended.

Thankfully, there are people in my life with whom I have a strong connection and do not have to perform social superficiality and do not have a professional role either.
But if I look back at how easy interaction used to be, and how fluent one event would stretch into another (“Want to go for a drink?” “Would you like to come over for dinner?”) it is clear my life has changed so much.
And it is impossible to go back.

The idea of regularly sharing meals, or sharing my bed at night is unbearable.

With all earthly matters attended to, I want 2026 to be the year I find back what was lost.

Can I find back my lust for life, and stop being the queen of the underworld?
At least when I’m with a friend;
At least when I write;
At least when I look inward;
Can the frozen ground thaw and a new garden grow?

I think it is feasible, now that I know what I’m aiming for.
And that it will be restored through, by, or in collaboration with one or two lovers.
The process of melting the ice around my heart and open it.

Yes, my prediction is it will be the warmth of my love life that will save me. And after that I will be able to bring my softness into other areas as well.
Because I
never intended to become this new version of me. It was necessary but should have never become more than a means to an end.

2026 Should be on focusing on this end; On the woman whose life was on the line when I chose to rise into the Queen of Darkness.

Me.

.
.~Lauren
An unexamined life is not worth living

Harteveld 2026*
Are 2200 characters, or less.
The series started in 2025, inspired by the book Fretz 2025 by Johan Fretz and asterisk from the movie Thunderbolts*

Subscribe to this blog for my letters to Sara, the series Harteveld 2026* and the Behind the Scenes of my year 1991 project.
The subscription button is on this page, most likely on the top right.

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

A Timeline… Disappeared? | Longread | year 1990 behind the scenes

One area in my life effected positively by my time-traveling projects, are my  self-made postcards for New Year.

I have always made them myself but didn’t really land on a formula.
They varied from a sonnet, to a hand-drawn comic, to two of them being from the pond in my backyard in the years I rented a family home.
One from
an incredibly large frog, unexpectedly appearing in spring and sitting there like he owned the place. Which he probably did.
And the year after I photographed the pond’s waterlilies.
The house also had a shed with a stone marten, but they never made it to the card because I never saw it. Even if I had it would have been too quick to make a photo.

But I recognize stone marten smell ever since.
It’s the smell of carnivore poo, you can also smell it in the predator enclosure in the zoo.

So over the course of my life making New Year cards was a recurring theme. Yet I was aware that it had started to slip.
Inspiration was running low, and although I didn’t realize it, it was at the point where it would either fall by the wayside entirely;
Or be upleveled into something I could commit to. 

And then, a couple of years into my first timeline project which I did from 2019 to early 2025;
A couple of years in, I suddenly saw the light.

I would make a card, explaining my timeline project, and wishing everybody a happy 1998.
I repeated it the following years as well (1999, 2000), and assumed I would keep this going forever.
Until early 2025 when I noticed the timeline project in its current form, was no longer alive.
By now it was in the year 2000 and both my love life as well as my love for the project, had been cold for over a year.
The timeline, was dying.
If I wanted the fate of my love life (which was supposed to be the star of this whole project. Kind of like the frog!) to be different, something needed to change.

So I picked up an old timeline. Imagine a Star Wars scene where they find old spaceships, crashed into the ground a long time ago, during wars long forgotten.
That’s how I found this timeline.

Because I had already been toying around with this one, on and off. It was linked to the idea of living in 1988 or 1989.

Visual for this paragraph:
A foggy rain forest and a woman investigating a site with crashed spaceships, overgrown with forest vegetation.
She wonders if she’s attracted to the idea that the spaceship era might revive?
Or to the idea that it will not? And that this remote site with its abandoned relics will be hers alone.
That’s how I scavenged my old timeline projects, wondering if I should pick them up.

I had written about those experiments (living or drawing inspiration from 1988/1989) before, but had never pushed through.
Therefor, they had never become a “real” timeline.
Nor did any of the things I had connected to it taken root or were any of its goals achieved.

But this year (2025), with my initial timeline project flatlining in the year 2000, I decided to give this other 90-ish scenario a serious go.

And although definitely not perfect, I could feel this was the breath of fresh air I needed, as well as what the reboot the whole (let’s be honest: WEIRD) idea of doing a time travel project needed.
That the first timeline project, 1994-2000 (2019-2025) had been a draft version, my early work, perhaps just an experiment.
And that now, with the new 1990-ish timeline, I would get serious.

So this December, creating my new cards to wish everybody a happy New Year, I did not continue on the previous storyline (where the new year would have been 2001), but I explained I had opened a New Timeline.
And wished everybody a happy 1991.

I used a photo from myself from 1990, but it was more like “THE photo” (not “a” photo) because it turned out, I only had one set of photos from 1990.
As if the first time around, I had left the thinnest trail of myself, so I could relive it again. There was an abundance of concert clippings though, and other souvenirs and keepsakes. But it was in particular the music clippings that interested me.
Apparently I had been trying to expand my horizon from the bands I loved and adored, to a more broader palette of rock and metal.

You could say I was dipping my toes in the water of becoming a rock journalist.
A dream that came back to me this year, even before I found the clippings. I now have a small collection of reference works from the 70s and 80s, that would have kickstarted my career as a rock journalist in 1990.

Over the course of 2025 this new 1990 timeline had naturally started taking shape already.
And finding the gap in my 1990 photo album reinforced this idea, this was indeed where it was supposed to land.

There was space here, to live it a second time.

So I created the cards, ordered them, wrote them, and was already starting to feel really good about how smooth it had all gone this year, and how ahead of the game I was!
With a little luck some people would even have it before Christmas, and I was confident everybody would have it before the New Year.

On another positive note there had not been major changes in the list of addressees either. Just a few minor ones, which were related to professional choices, situational changes and I sent a few extra cards to people with whom I had reconnected this year. 
A drama-free year, without any breakups.

Here I was, at the post office, thinking how fortunate I had been, when I discovered the stack of mail had caught some unexpected, but extremely minor, water damage.
It had silently wiped out every letter it could get its slippery hands on, and I discovered the few single drops had not come alone. Multiple envelopes were damaged, although miraculously none of the essential part of addresses (which would have required my address book) had been affected.
Everything that had been smudged, I could easily redo.

And I had stickers on me so I could fix up the envelopes before posting them.

So there they went: A few of them a bit battered, but most of them fortunately still in their original pristine condition.
Except now of course I knew how fragile both their good looks as well as their addresses were…

They could all be taken out and disappear forever.

This year’s events around this card, activating this 35 year old timeline, confirmed what the silent death of the year 2000 had already proven;
Timelines can be created in the blink of an eye, but t
hey’re volatile, unpredictable and can disappear without anyone noticing..

Keeping your timeline alive will require focus, effort and willpower.
And possibly, stickers.

 ~Lauren
An unexamined life is not worth living

The story behind this time travel project has been added below..

Subscribe to this blog for my letters to Sara;
The series Harteveld 2025*
And these Behind the Scenes of my 1990 timeline.
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About: the 1990 project

For an indefinite time, I will be moving to the, I assume fictional, timeline of (re-)living 35 years ago.
Making the current year 1990.
This project has a predecessor, where I wrote as if I was in 1994 – 2000;
But this was mostly a literary (diary) undertaking.

I’m cutting back deeper into time, and do not intend to keep a diary. It is the living in the past itself, that is the art.

In September 2025 I came up with these goals, covering the first 8 years.

My 8 year goals are:
📵 to live a 20th Century life
🎸 to be a 20th century-inspired Rock journalist.
But on the current timeline.
So this means I make money creating content and speaking about rock music and 20th century things 

📚 publish Lauren Harteveld work 2010-2025
📢 to make the Lauren Harteveld legacy visible

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

Categories BTS

Becoming Lauren’s Bodyguard

This is a letter to my creativity coach Sara
Before our call I always give her a headsup.
.
Dear Sara,
.

In November I wrote you a post called Becoming Lauren, which was about centering the softer, former-lover part of me.
Lauren is the name I created for myself almost two decades ago, when I started my quest to develop my love life, and in tandem with that, became a writer.

I never set out to become a writer yet it became clear from the get go I would never be able to step on the journey, let alone complete it, without becoming a writer.
Every quest requires transformation, and self-reflection is by far the most thorough as well as most autonomous way to do that. Had I not become a writer, I would have top-heavy burdened my friendships.

But now that it’s all in the past, every element surrounding Lauren Harteveld requires a review.

Do I still need that amount of reflection, now that I no longer have a sex life?
And I know for an absolute fact I will never let things get that complicated again.
But how can I keep what the past two decades brought me?

November’s post was an attempt to outline all the good Lauren brought me, and how I would want to, and need to, start designing my life more consciously in order to honor “her”, and not be burdened by work.

Little by little, and definitely with a generous amount of trial and error, the past six weeks have been about acting accordingly.
About giving “Lauren”, the soft sensual writer side of me who as a rule wants nothing to do with the outside world unless it’s really really good and sweet;
About giving her more space.

But what it made clear is that contrary to what I thought, the person I need to be focusing on in order to reach this space and atmosphere where Lauren can thrive is not Lauren;
It is her bodyguard.

It’s like that quote you often give me on creating Art being about creating the space where Art become inevitable.
I “only” need to create the space where Lauren becomes inevitable.
The space/ the life, where “of course” my inner-Lauren would want to be!

I need to be her body guard, protector, guardian angel, beneficiary, Landlady, Housekeeping and accountant so that she can do the only thing she wants to do:
Enjoy life in all its softness and sweetness.

Since my final letter to you I have been coming to terms with that, and that therefor the focus is not on Lauren.
It’s on giving Bodyguard-me full authority to
keep people out, to set boundaries, control access, check identities, run background checks and to never let anyone interfere with Lauren before full clearance.

Even past interactions are no guarantee you will immediately be granted access;
The situation we are in, will be vetted every single time.
Access All Areas-passes will expire immediately after the event.

Now that I know this, which is only a recent insight, life has become incredibly simple, because for starters, the bodyguard only works 40h/week.
Any interaction needs to be within that time, because without her bodyguard Lauren does not even pick up her phone.

The only productive or worldly thing Lauren does, is writing. First thing AM, in her bathing robe, and letting it lavishly flow into her day, taking as many hours as she needs.

And her bodyguard still fast asleep.

.
~Lauren
An unexamined life is not worth living

Subscribe to this blog for my letters to Sara, the series Harteveld 2025* and the Behind the Scenes of my year 1990 diary.
The subscription button is on this page, most likely on the top right.

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld

Nederlands blog:
https://zegmaarlauren.com/

I was never here to hunt | Harteveld 2025*

There is a Dutch joke from my childhood, about a hunter who tries to shoot a bear, but misses, and then gets f* in the ass by the bear, as a punishment.
The third time this happens, the bear says:
“You’re not here to hunt.”

And indeed, I am not here to hunt.

2025 has been marked by a tremendous flight in my career. And it has gone from something that just pays for my creative time to something that has purpose and motivates me intrinsically.
I like the work itself, and I also like the bigger vision, the bigger calling behind it.

And yet I have become painfully aware that I am nothing more than the hunter whose thrill is clearly in what happens when he misses the shot.
And not in succeeding at his work.

When I was a teenager I automatically assumed none of us were here to hunt, so to speak.
I mean teens and sexuality; They are almost synonymous. And I couldn’t wait until the sex would begin.

Yet because I found it pretty hard to make those kind of arrangements (fall in love, get some kind of courtship going, and approval of parents so we could use our bedrooms and were not limited to the outdoors) I understood why the majority of our time would be spent on school and not on sex.

It was dependent on too many factors, and as soon as you had everything in place, something would come up, break it all down, and you had to start all over again.

Yet I assumed that IN THEORY, we were all on the same page.
That it was every teen’s number one priority, just that we had different levels of success.

Despite me having a particular hurdle to overcome in getting my sex life up and running, I managed reasonably well. It was not ideal, but considering what I had to work with, or work around, I did a pretty good job.
Although I acknowledged a Me-Rocking-IT-As-A-Single would not be in the cards for me.

It wasn’t until I was in my mid-twenties that my view of my peers changed.
All of them, without exception, and including the ones who had absolutely crushed it as singles;
They all settled down.

Bye bye exciting sex life.

And that’s when I realized:
I have been the only one, who was never here to hunt.

Yet three decades later I’m committed to success, and catch myself taking it seriously.
For a brief second.

.
.~Lauren
An unexamined life is not worth living

Harteveld 2025*
Are 2200 characters, or less.
The name is inspired by the book Fretz 2025 by Johan Fretz and asterisk by the 2025 movie Thunderbolts*

Subscribe to this blog for my letters to Sara, the series Harteveld 2025* and the Behind the Scenes of my year 1990 project.
The subscription button is on this page, most likely on the top right.

Books 

My diaries are available at LULU 
New books will be added.

The best way to receive updates on when these books are ready,
is to subscribe to this blog.
Button on this page, probably on the top right.

Or follow my Facebook page
/ Twitter: @LSHarteveld